Audiobooks are made like songs by your favourite bands are. They are recorded in a studio and then released on CD`s, cassettes or are offered for downloading online. Such a recording, instead of chapters in the printed version, is divided into many smaller recordings, lasting up to several minutes so that the listener might continue “reading” as desired. Recorded books follow the colourful variety of their printed counterparts when it comes to themes, therefore apart from various self-help texts, you can find world`s greatest fiction hits as audio editions. Apart from recording previously printed editions, certain companies, like the BBC for example, release only audio editions. The world audiobook market is worth billions of dollars and versions that can simply be downloaded online are most popular versions. Such distribution format is most simple for the publishers, who do not have to worry about the quality of CD`s for instance, but for the listeners as well, especially today when almost every mobile phone has a build in MP3 player. Such form of releasing texts seemed unnecessary to many at first. Books in printed form have been around for centuries, and even the blind, who seem to be the ideal focus group for audiobooks, have their printed editions that are “read” with fingers. The main purpose of audiobooks is not just to help people with special needs, but to enable “healthy” individuals to enjoy literature that is impossible to use as “ordinary” books. Audiobooks are listened to while driving, at work, at all the special places where most people listen to music.

Jim Dale has received multiple awards for this achievement. During Queen Elizabeth II's 2003 Royal Birthday Honours, Jim Dale was named an MBE (Member of the Order of the British Empire) for narrating the (then) five Harry Potter audiobooks and "promoting English children's literature." On a more plebian plane, he's also the Guinness World Record holder for Most Character Voices in an Audiobook--for the 134 different beings he portrayed in HARRY POTTER AND THE ORDER OF THE PHOENIX. The Harry Potter audiobooks have been nominated for Grammy Awards--HARRY POTTER AND THE GOBLET OF FIRE won in 2000 for Best Spoken Word Album for Children--and Audie Awards--in 2004 ORDER OF THE PHOENIX won the Audie for Children's Title for Ages 8+ as well as Audiobook of the Year--and this year, the Harry Potter series was the first recipient of the Audio Publishers Association Hall of Fame Award. Jim Dale has received a variety of stage and screen credits beginning in the 1960s. Among the highlights, he received an Oscar nomination for writing the lyrics to the film "Georgy Girl" (1966), and he starred on Broadway in "Scapino!" (1974) and "Barnum" (1981), receiving both a Tony Award and a Drama Desk Award for the title role.

Pullman was born in Norwich, Norfolk, England, to RAF pilot Alfred Outram and Audrey Evelyn Merrifield. The family travelled with his father's job, including to Southern Rhodesia (now Zimbabwe), where he spent time at school. His father was killed in a plane crash in 1953 when Pullman was seven. His mother remarried and with a move to Australia came Pullman's discovery of comic books including Superman and Batman, a medium which he continues to espouse. From 1957 he was educated at Ysgol Ardudwy school in Harlech, Gwynedd and spent time in Norfolk with his grandfather, a clergyman. Around this time Pullman discovered John Milton's Paradise Lost, which would become a major influence for His Dark Materials. From 1963 Pullman attended Exeter College, Oxford, receiving a Third class BA in 1968, in an interview with the Oxford Student he stated that "he did not really enjoy the English course" and that "I thought I was doing quite well until I came out with my third class degree and then I realised that I wasn’t — it was the year they stopped giving fourth class degrees otherwise I’d have got one of those". He discovered William Blake's illustrations around 1970, which would also later influence him greatly Pullman married Judith Speller in 1970 and began teaching children and writing school plays. His first published work was The Haunted Storm, which joint-won the New English Library's Young Writer's Award in 1972. He nevertheless refuses to discuss it. Galatea, an adult fantasy-fiction novel, followed in 1978, but it was his school plays which inspired his first children's book, Count Karlstein, in 1982. He stopped teaching around the publication of The Ruby in the Smoke (1986), his second children's book, whose Victorian setting is indicative of Pullman's interest in that era. Pullman taught part-time at Westminster College, Oxford between 1988 and 1996, continuing to write children's stories. He began His Dark Materials about 1993. Northern Lights (published as The Golden Compass in the US) was published in 1996 and won the Carnegie Medal, one of the most prestigious British children's fiction awards, and the Guardian Children's Fiction Award. Pullman has been writing full-time since 1996, but continues to deliver talks and writes occasionally for The Guardian. He was awarded a CBE in the New Year's Honours list in 2004. Pullman also began lecturing at a seminar in English at his alma mater, Exeter College, Oxford, in 2004. He is currently working on The Book of Dust, a sequel to his completed His Dark Materials trilogy.

Peter Ferdinand Drucker (November 19, 1909–November 11, 2005) was a writer, management consultant and university professor. His writing focused on management-related literature. Peter Drucker made famous the term knowledge worker and is thought to have unknowingly ushered in the knowledge economy, which effectively challenges Karl Marx's world-view of the political economy. George Orwell credits Peter Drucker as one of the few writers who predicted the German-Soviet Pact of 1939. The son of a high level civil servant in the Habsburg empire — his mother Caroline Bondi held a medical degree and his father Adolph Bertram Drucker was a lawyer — Drucker was born in Vienna, the capital of Austria, in a small village named Kaasgraben (now part of the 19th district of Vienna, Döbling). Following the defeat of Austria-Hungary in World War I, there were few opportunities for employment in Vienna so after finishing school he went to Germany, first working in banking and then in journalism. While in Germany, he earned a doctorate in international law. The rise of Nazism forced him to leave Germany in 1933. After spending four years in London, in 1937 he wed Doris Schmidt. His wedding certificate lists his name as Peter Georg Drucker.Drucker moved permanently to the United States, where he became a university professor as well as a freelance writer and business guru. In 1943 he became a naturalized citizen of the United States. He taught at New York University as a Professor of Management from 1950 to 1971. From 1971 to his death he was the Clarke Professor of Social Science and Management at Claremont Graduate University. His career as a business thinker took off in 1945, when his initial writings on politics and society won him access to the internal workings of General Motors, one of the largest companies in the world at that time. His experiences in Europe had left him fascinated with the problem of authority. He shared his fascination with Donaldson Brown, the mastermind behind the administrative controls at GM. Brown invited him in to conduct what might be called a political audit. The resulting Concept of the Corporation popularized GM's multidivisional structure and led to numerous articles, consulting engagements, and additional books. Drucker was interested in the growing effect of people who worked with their minds rather than their hands. He was intrigued by employees who knew more about certain subjects than their bosses or colleagues and yet had to cooperate with others in a large organization. Rather than simply glorify the phenomenon as the epitome of human progress, Drucker analyzed it and explained how it challenged the common thinking about how organizations should be run. His approach worked well in the increasingly mature business world of the second half of the twentieth century. By that time, large corporations had developed the basic manufacturing efficiencies and managerial hierarchies of mass production. Executives thought they knew how to run companies, and Drucker took it upon himself to poke holes in their beliefs, lest organizations become stale. But he did so in a sympathetic way. He assumed that his readers were intelligent, rational, hardworking people of good will. If their organizations struggled, he believed it was usually because of outdated ideas, a narrow conception of problems, or internal misunderstandings. Drucker is the author of thirty-nine books,which have been translated into more than twenty languages. Two of his books are novels, one an autobiography. His first book was written in 1939, and from 1975 to 1995 he was an editorial columnist for The Wall Street Journal. He was a frequent contributor to the Harvard Business Review, The Atlantic Monthly, and The Economist.